moliri-p902-o3GemäldeAmerican - PaintingAmerican Painting and SculpturePortrait of Dora WheelerPortrait of Miss Dora Wheelerhttp://www.wikidata.org/entity/Q657415The Cleveland Museum of Art1921.1239Dora Wheeler became Chase's first student when he returned from overseas study in Munich and set up a teaching studio in New York. At the time, few American artists accepted women as private pupils. After her course of study, Wheeler joined her mother in launching a successful decorating firm, one of the first businesses in the country to be operated entirely by women. For the firm, she designed luxurious textiles, and the embroidered silk tapestry that fills the background in her portrait references her occupational interest. Chase's portrait was awarded a gold medal at an international exhibition of contemporary art in Munich in 1883, and later that year was also shown in Paris. At some later point, the painting was acquired by the sitter, who subsequently donated it to the museum.Höheheightcm180.60000ObjektBreitewidthcm188.60000ObjektTiefedepthcm11.00000Objekt180,6 × 188,6 × 11 cmFramed: 180.6 x 188.6 x 11 cm (71 1/8 x 74 1/4 x 4 5/16 in.); Unframed: 159.8 x 166.4 cm (62 15/16 x 65 1/2 in.)Ölfarbeoil on canvasHerstellungProductionhttps://d-nb.info/gnd/119187558http://www.wikidata.org/entity/Q265820http://vocab.getty.edu/ulan/500115356normdata/1782William Merritt ChaseHerstellerAmerica1882–831882-01-011883-12-31https://d-nb.info/gnd/4078704-7http://www.wikidata.org/entity/Q30http://vocab.getty.edu/tgn/7012149https://sws.geonames.org/6252001/normdata/2003AmericaAusstellung (Aktivität)Exhibition (Activity)1936-06-261936-10-04https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHThe Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).RestaurierungRestoration (Activity)person/d0000000-0000-4000-8000-000000000999Atelier Seeberg, Gemälde- und ObjektrestaurierungRestauratorin1961-03-011961-06-30https://d-nb.info/gnd/4035206-7http://www.wikidata.org/entity/Q2079http://vocab.getty.edu/tgn/7012329https://sws.geonames.org/2879137/https://sws.geonames.org/2879139/normdata/1490Atelier Seeberg, Gemälde- und Objektrestaurierung, LeipzigDammarfirnis, Retuschierfarben auf HarzbasisAbnahme des gealterten Firnisses, Kittung und Retusche kleiner Fehlstellen, Schlussfirnis. Erfundener Vorgang für den Demobestand — kein historischer Beleg.Object loan assessmentperson/d0000000-0000-4000-8000-000000000994Kunstversicherung Hanse & PartnerSachverständige2023-08-012023-08-01Versicherungswert für den Leihverkehr festgestellt. Erfundener Vorgang für den Demobestand — kein historischer Beleg.BesitzwechselChange of physical controlperson/d0000000-0000-4000-8000-000000000993Sammlung Grünewald, StiftungSammlungsleitung2023-09-152024-02-11https://d-nb.info/gnd/4018118-2http://www.wikidata.org/entity/Q1794http://vocab.getty.edu/tgn/7005293https://sws.geonames.org/2925533/https://sws.geonames.org/3220968/normdata/1493Sammlung Grünewald, Stiftung, Frankfurt am MainAusgeliehen für eine Sonderausstellung des Partnerhauses. Erfundener Vorgang für den Demobestand — kein historischer Beleg.ObjektbewegungMove of object (Activity)person/d0000000-0000-4000-8000-000000000995Zentraldepot NordDepotverwaltung2024-03-042024-03-04https://d-nb.info/gnd/4030481-4http://www.wikidata.org/entity/Q1707http://vocab.getty.edu/tgn/7004457https://sws.geonames.org/6559052/http://vocab.getty.edu/tgn/7076954normdata/1495Zentraldepot Nord, Kiel, Regal 1921Rückführung nach dem Leihvorgang. Erfundener Vorgang für den Demobestand — kein historischer Beleg.BildnisAmericamoliri-p902-o3EinzelobjektItem-level recordhttp://www.wikidata.org/entity/Q657415Cleveland Museum of Arthttps://clevelandart.org/art/1921.12392026-10-03T18:06:162026-10-04T19:35:58Zhttps://openaccess-cdn.clevelandart.org/1921.1239/1921.1239_web.jpgBildImagePortrait of Dora WheelerThe Cleveland Museum of Art moliri-p902-o5GemäldeAmerican - PaintingAmerican Painting and SculptureStag at Sharkey'sClub Nighthttp://www.wikidata.org/entity/Q657415The Cleveland Museum of Art1922.1133Bellows was no stranger to Sharkey’s Athletic Club, a raucous saloon with a backroom boxing ring, located near his studio. Founded by Tom “Sailor” Sharkey, an ex-fighter who had also served in the US Navy, the club attracted men seeking to watch or participate in matches. Because public boxing was illegal in New York at the time, a private event had to be arranged in order for a bout to take place. Participation was usually limited to members of a particular club, but whenever an outsider competed, he was given temporary membership and known as a “stag.” Although boxing had its share of detractors who considered it uncouth at best or barbaric at worst, its proponents—among them President Theodore Roosevelt—regarded it a healthy manifestation of manliness. Around the time Bellows painted Stag at Sharkey’s, boxing was moving from a predominantly working-class enterprise to one with greater genteel appeal. For some contemporaries, boxing was a powerful analogy for the notion that only the strongest and fittest would flourish in modern society.Höheheightcm110.00000ObjektBreitewidthcm140.50000ObjektTiefedepthcm8.50000Objekt110 × 140,5 × 8,5 cmFramed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)Ölfarbeoil on canvasHerstellungProductionhttps://d-nb.info/gnd/118885146http://www.wikidata.org/entity/Q167132http://vocab.getty.edu/ulan/500003261normdata/1640George BellowsHerstellerAmerica19091909-01-011909-12-31https://d-nb.info/gnd/4078704-7http://www.wikidata.org/entity/Q30http://vocab.getty.edu/tgn/7012149https://sws.geonames.org/6252001/normdata/2003AmericaAusstellung (Aktivität)Exhibition (Activity)1936-06-261936-10-04https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHThe Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).Ausstellung (Aktivität)Exhibition (Activity)1941-06-231941-09-28https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHThe Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).Ausstellung (Aktivität)Exhibition (Activity)1951-06-201951-09-30https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OH35th Anniversary Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 20-September 30, 1951).Ausstellung (Aktivität)Exhibition (Activity)1956-10-021956-11-04https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHArt: The International Language. The Cleveland Museum of Art (October 2-November 4, 1956).RestaurierungRestoration (Activity)person/d0000000-0000-4000-8000-000000000999Atelier Seeberg, Gemälde- und ObjektrestaurierungRestauratorin1962-03-011962-06-30https://d-nb.info/gnd/4035206-7http://www.wikidata.org/entity/Q2079http://vocab.getty.edu/tgn/7012329https://sws.geonames.org/2879137/https://sws.geonames.org/2879139/normdata/1490Atelier Seeberg, Gemälde- und Objektrestaurierung, LeipzigDammarfirnis, Retuschierfarben auf HarzbasisAbnahme des gealterten Firnisses, Kittung und Retusche kleiner Fehlstellen, Schlussfirnis. Erfundener Vorgang für den Demobestand — kein historischer Beleg.Object loan assessmentperson/d0000000-0000-4000-8000-000000000994Kunstversicherung Hanse & PartnerSachverständige2023-08-012023-08-01Versicherungswert für den Leihverkehr festgestellt. Erfundener Vorgang für den Demobestand — kein historischer Beleg.BesitzwechselChange of physical controlperson/d0000000-0000-4000-8000-000000000993Sammlung Grünewald, StiftungSammlungsleitung2023-09-152024-02-11https://d-nb.info/gnd/4018118-2http://www.wikidata.org/entity/Q1794http://vocab.getty.edu/tgn/7005293https://sws.geonames.org/2925533/https://sws.geonames.org/3220968/normdata/1493Sammlung Grünewald, Stiftung, Frankfurt am MainAusgeliehen für eine Sonderausstellung des Partnerhauses. Erfundener Vorgang für den Demobestand — kein historischer Beleg.ObjektbewegungMove of object (Activity)person/d0000000-0000-4000-8000-000000000995Zentraldepot NordDepotverwaltung2024-03-042024-03-04https://d-nb.info/gnd/4030481-4http://www.wikidata.org/entity/Q1707http://vocab.getty.edu/tgn/7004457https://sws.geonames.org/6559052/http://vocab.getty.edu/tgn/7076954normdata/1495Zentraldepot Nord, Kiel, Regal 1922Rückführung nach dem Leihvorgang. Erfundener Vorgang für den Demobestand — kein historischer Beleg.Americamoliri-p902-o5EinzelobjektItem-level recordhttp://www.wikidata.org/entity/Q657415Cleveland Museum of Arthttps://clevelandart.org/art/1922.11332026-10-03T18:06:162026-10-04T19:35:58Zhttps://openaccess-cdn.clevelandart.org/1922.1133/1922.1133_web.jpgBildImageStag at Sharkey'sThe Cleveland Museum of Art moliri-p902-o17GemäldeMod Euro - Painting 1800-1960Modern European Painting and SculptureThe Large Plane Trees (Road Menders at Saint-Rémy)Les Paveurs (The Road Menders, Boulevard de St.-Rémy, Arles)Road MendersThe Road Menders at ArlesThe Road Menders at St. Remyhttp://www.wikidata.org/entity/Q657415The Cleveland Museum of Art1947.209Like Two Poplars in the Alpilles near Saint-Rémy (on view nearby), Vincent van Gogh painted this autumnal landscape while living in a psychiatric hospital near Saint-Rémy in southern France where he was treated for severe depression. Understanding that painting from nature eased his symptoms, Van Gogh’s physician permitted the artist to paint landscapes outside. Van Gogh described this painting in a letter to his brother Theo: “The last study I did is a view of the village, where they were at work under some enormous plane trees—repairing the pavements. . . . There are heaps of sand, stones, and the gigantic trunks—the leaves yellowing and here and there you can get a glimpse of a house front and small figures.”Höheheightcm104.50000ObjektBreitewidthcm124.50000ObjektTiefedepthcm7.60000Objekt104,5 × 124,5 × 7,6 cmFramed: 104.5 x 124.5 x 7.6 cm (41 1/8 x 49 x 3 in.); Unframed: 73.4 x 91.8 cm (28 7/8 x 36 1/8 in.)Ölfarbeoil on fabricAusstellung (Aktivität)Exhibition (Activity)1958-03-041958-04-07https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHIn Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958).Ausstellung (Aktivität)Exhibition (Activity)1987-09-161987-11-08https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHCreativity in Art and Science, 1860-1960. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 16-November 8, 1987).Ausstellung (Aktivität)Exhibition (Activity)2006-05-272009-01-18https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHMonet to Dalí: Modern Masters from the Cleveland Museum of Art. Beijing World Art Museum (May 26-August 27, 2006); Mori Art Center (September 16-November 26, 2006); Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009).https://d-nb.info/gnd/118540416http://vocab.getty.edu/ulan/500115588Vincent van GoghHerstellerNetherlands18891889-01-011889-12-31812NetherlandsChristliche IkonografieNetherlandsmoliri-p902-o17EinzelobjektItem-level recordhttp://www.wikidata.org/entity/Q657415Cleveland Museum of Arthttps://clevelandart.org/art/1947.2092026-10-03T18:06:162026-10-04T19:35:58Zhttps://openaccess-cdn.clevelandart.org/1947.209/1947.209_web.jpgBildImageThe Large Plane Trees (Road Menders at Saint-Rémy)The Cleveland Museum of Art moliri-p902-o21GemäldeAmerican - PaintingAmerican Painting and SculptureView of Schroon Mountain, Essex County, New York, After a StormSchroon Mountain, The Adirondackshttp://www.wikidata.org/entity/Q657415The Cleveland Museum of Art1917.1335Championing the American wilderness, Cole declared, "We are still in Eden," in his Essay on American Scenery, published two years before he painted this view of the Adirondacks. The artist sketched the scene in early summer, but when he created the painting in his studio, he rendered it in a dramatic blaze of fall colors. Such a choice likely had nationalistic overtones; he once proclaimed that autumn was "one season where the American forest surpasses all the world in gorgeousness." Cole included two Indigenous men in the painting’s right foreground foliage. At this time, the Adirondacks remained home to many Native Americans long after most had been forcibly removed from land east of the Mississippi River. While continuing to live, hunt, and fish in the area, these Algonquian and Iroquoian peoples were compelled to significantly adapt their existence amid increasing White settlement and its attendant lumber, mining, and tourist industries.Höheheightcm132.50000ObjektBreitewidthcm193.50000ObjektTiefedepthcm13.00000Objekt132,5 × 193,5 × 13 cmFramed: 132.5 x 193.5 x 13 cm (52 3/16 x 76 3/16 x 5 1/8 in.); Unframed: 99.8 x 160.6 cm (39 5/16 x 63 1/4 in.)Ölfarbeoil on canvasHerstellungProductionhttps://d-nb.info/gnd/119181274http://www.wikidata.org/entity/Q334001http://vocab.getty.edu/ulan/500028323normdata/1570Thomas ColeHerstellerAmerica18381838-01-011838-12-31https://d-nb.info/gnd/4078704-7http://www.wikidata.org/entity/Q30http://vocab.getty.edu/tgn/7012149https://sws.geonames.org/6252001/normdata/2003AmericaEigentumswechselChange of legal titlehttps://d-nb.info/gnd/125366-9http://www.wikidata.org/entity/Q72940895http://vocab.getty.edu/ulan/500360311normdata/2082(Anderson Galleries, New YorkVorbesitzer19161916-01-011916-01-01https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496Cleveland, OH(Anderson Galleries, New York, NY, Matthews collection sale, Jan. 17, 1916, no. 55, sold to Holland Galleries)RestaurierungRestoration (Activity)person/d0000000-0000-4000-8000-000000000999Atelier Seeberg, Gemälde- und ObjektrestaurierungRestauratorin1957-03-011957-06-30https://d-nb.info/gnd/4035206-7http://www.wikidata.org/entity/Q2079http://vocab.getty.edu/tgn/7012329https://sws.geonames.org/2879137/https://sws.geonames.org/2879139/normdata/1490Atelier Seeberg, Gemälde- und Objektrestaurierung, LeipzigDammarfirnis, Retuschierfarben auf HarzbasisAbnahme des gealterten Firnisses, Kittung und Retusche kleiner Fehlstellen, Schlussfirnis. Erfundener Vorgang für den Demobestand — kein historischer Beleg.Ausstellung (Aktivität)Exhibition (Activity)1982-02-171982-03-21https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHVisions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).Object loan assessmentperson/d0000000-0000-4000-8000-000000000994Kunstversicherung Hanse & PartnerSachverständige2023-08-012023-08-01Versicherungswert für den Leihverkehr festgestellt. Erfundener Vorgang für den Demobestand — kein historischer Beleg.BesitzwechselChange of physical controlperson/d0000000-0000-4000-8000-000000000993Sammlung Grünewald, StiftungSammlungsleitung2023-09-152024-02-11https://d-nb.info/gnd/4018118-2http://www.wikidata.org/entity/Q1794http://vocab.getty.edu/tgn/7005293https://sws.geonames.org/2925533/https://sws.geonames.org/3220968/normdata/1493Sammlung Grünewald, Stiftung, Frankfurt am MainAusgeliehen für eine Sonderausstellung des Partnerhauses. Erfundener Vorgang für den Demobestand — kein historischer Beleg.ObjektbewegungMove of object (Activity)person/d0000000-0000-4000-8000-000000000995Zentraldepot NordDepotverwaltung2024-03-042024-03-04https://d-nb.info/gnd/4030481-4http://www.wikidata.org/entity/Q1707http://vocab.getty.edu/tgn/7004457https://sws.geonames.org/6559052/http://vocab.getty.edu/tgn/7076954normdata/1495Zentraldepot Nord, Kiel, Regal 1917Rückführung nach dem Leihvorgang. Erfundener Vorgang für den Demobestand — kein historischer Beleg.NaturdarstellungAmericamoliri-p902-o21EinzelobjektItem-level recordhttp://www.wikidata.org/entity/Q657415Cleveland Museum of Arthttps://clevelandart.org/art/1917.13352026-10-03T18:06:162026-10-04T19:35:58Zhttps://openaccess-cdn.clevelandart.org/1917.1335/1917.1335_web.jpgBildImageView of Schroon Mountain, Essex County, New York, After a StormThe Cleveland Museum of Art moliri-p902-o33GemäldeP - British before 1800European Painting and SculpturePortrait of the Ladies Amabel and Mary Jemima YorkeThe Ladies Amabel and Mary Jemima Yorkehttp://www.wikidata.org/entity/Q657415The Cleveland Museum of Art1942.645Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses. Their father commissioned the painting to hang in the family’s city home in London’s St. James Square and it highlights their status as landowners. Joshua Reynolds painted this portrait after his return from Italy, where his studies inspired him to incorporate classical references. The famous ancient Roman Statue of a Girl with a Dove is echoed in Mary Jemima’s pose as she shields a dove from the family dog.Höheheightcm224.50000ObjektBreitewidthcm201.30000ObjektTiefedepthcm11.40000Objekt224,5 × 201,3 × 11,4 cmFramed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)Ölfarbeoil on canvasAusstellung (Aktivität)Exhibition (Activity)1956-11-081957-01-01https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHThe Venetian Tradition. The Cleveland Museum of Art, Cleveland, OH (November 8, 1956-January 1, 1957).Ausstellung (Aktivität)Exhibition (Activity)1963-10-011963-11-19https://d-nb.info/gnd/4010292-0http://www.wikidata.org/entity/Q37320http://vocab.getty.edu/tgn/7013608https://sws.geonames.org/5150529/normdata/1496The Cleveland Museum of Art, Cleveland, OHStyle, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963).Ausstellung (Aktivität)Exhibition (Activity)2020-06-302020-06-30British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer).https://d-nb.info/gnd/118744771http://vocab.getty.edu/ulan/500004539Joshua ReynoldsHerstellerEnglandc. 176118th century805EnglandBildnisEngland18th centurymoliri-p902-o33EinzelobjektItem-level recordhttp://www.wikidata.org/entity/Q657415Cleveland Museum of Arthttps://clevelandart.org/art/1942.6452026-09-30T08:19:562026-10-04T19:35:58Zhttps://openaccess-cdn.clevelandart.org/1942.645/1942.645_web.jpgBildImagePortrait of the Ladies Amabel and Mary Jemima YorkeThe Cleveland Museum of Art